Technology and Cultural Heritage Preservation Patty Gerstenblith, DePaul University College of Law Patty Gerstenblith, Technology and Cultural Heritage Preservation, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION With the ongoing conflict in the Middle East, particularly in Syria and northern […]

  Stereophotogrammetry and 3D printing:Critical Practices and Intellectual Property Owen Mundy, Fulbright Visiting Professor, University of Klagenfurt, Austria Owen Mundy, Stereophotogrammetry and 3D printing:Critical Practices and Intellectual Property, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION From photography to printable 3D […]

Authorship in the Twenty-First Century: Artist vs. Institution? Lubna El-Gendi, DePaul University College of Law Lubna El-Gendi, Authorship in the Twenty-First Century: Artist vs. Institution?, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.     Technology has always served as an agent of […]

  Cultural Institutions and Website Use Restrictions: Contract or No Contract? Pauline McBride, University of Glasgow Pauline McBride, Cultural Institutions and Website Use Restrictions: Contract or No Contract?, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION ‘I read all the small […]

  Copyright Infringement, Exceptions and Limitations and Access to Shared Cultural Heritage Across Borders Paul Torremans, Professor of Intellectual Property Law, School of Law, University of Nottingham Paul Torremans, Copyright Infringement, Exceptions and Limitations and Access to Shared Cultural Heritage Across Borders, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An […]

  Can I Just Google That? Orphan Works and Image Recognition Tools Kerry Patterson, CREATe, University of Glasgow Kerry Patterson, Can I Just Google That? Orphan Works and Image Recognition Tools, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION The problem […]

  Risky Business: Copyright and Making Collections Available Online Victoria Stobo, CREATe, University of Glasgow Victoria Stobo, Risky Business: Copyright and Making Collections Available Online, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   Display At Your Own Risk is a research project […]

  An Institutional Perspective of Digitization Fred Saunderson, The National Library of Scotland Fred Saunderson, An Institutional Perspective of Digitization, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION One third of the National Library of Scotland’s collections will be held in […]

  Creating Culture By, With and For the Public Liz Neely, Harwood Museum of Art of the University of New Mexico Liz Neely, Creating Culture By, With and For the Public, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   I recently attended […]

  GLAMourising Intangible Cultural Heritage: When Technology, Copyright, and Cultural Institutions Meet Megan Rae Blakely, CREATe, University of Glasgow Megan Rae Blakely, GLAMourising Intangible Cultural Heritage: When Technology, Copyright, and Cultural Institutions Meet, in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.   INTRODUCTION […]